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Marc André Fortin

Professeur, Faculté des lettres et sciences humaines
FLSH Arts, langues et littératures

Présentation

Sujet de recherche

Artistic and Literary Theories, Arts, Literature and Subjectivity, Artistic and Literary Movements, Schools and Styles, Consciousness, Subjectivity and Personal Identity, Science and Knowledge, Transcultural Studies

Disciplines de recherche

Literary Studies, Literature

Mots-clés

Ecocriticism, Archives and Archival Theory, Canadian literature, Contemporay Literature, Indigenous Literature, Literary theory, Modernist Literature, Science and Literature

Intérêts de recherche

My research include work on ecocriticism, Canadian literature, modernist and contemporary literature, critical literary theory, the intersections of science and literature, Aboriginal literature, and archival theory.

Recherche clinique

Langues parlées et écrites

Anglais, Français

Diplômes

(2012). Science Imagined | Literature Realized: Truth and Fiction in Canada (Doctorate, Doctor of Philosophy). Queen's University at Kingston.

(2007). (Master's non-Thesis, Master of Arts). Queen's University at Kingston.

(2006). (Bachelor's Honours, Bachelor of Arts Honours). Dalhousie University.

Prix et distinctions

  • (2011) The James W.S. Jamieson Award. Queen's University at Kingston. (Prize / Award).
  • (2008) Queen’s University Tri-Council Recipient Recognition Award. Queen's University at Kingston. (Prize / Award).

Financement

  • Fellowship. (Completed). Principal Investigator. James M. Flaherty Research Fellowship. Ireland Canada University Foundation (ICUF). Flaherty Research Scholarship. 10 000 $. (2018-2018)
  • Grant. (Completed). Principal Applicant. FRQSC Établissement de nouveaux professeurs-chercheurs. (2014-2017)
  • Fellowship. (Completed). Principal Applicant. Université de Sherbrooke subvention de démarrage. (2012-2014)
  • Grant. (Completed). Principal Applicant. Queen’s University Teaching and Learning Enhancement Grant. (2012-2012)
  • Fellowship. (Completed). Principal Applicant. Editing Modernism in Canada Doctoral Fellowship. (2010-2011)
  • Fellowship. (Completed). Principal Applicant. SSHRC Doctoral Fellowship. (2007-2011)
  • Fellowship. (Completed). Principal Applicant. Editing Modernism in Canada Doctoral Fellowship. (2009-2010)
  • Scholarship. (Completed). Principal Applicant. SSHRC Scholarship from the SSHRC Image, Text, Sound, and Technology Program. (2009)
  • Fellowship. (Completed). Principal Applicant. The James W. Tupper Graduate Fellowship in English. (2006-2007)
  • Scholarship. (Completed). Principal Applicant. Dalhousie English Department Scholarship. (2005-2006)
  • Scholarship. (Declined). Principal Applicant. Ontario Graduate Scholarship. (2007)

Publications

Articles de revue

  • (2010). 'Face/Book/Net/Work' and the Dream of Limitless Freedom. English Studies in Canada 36 (4), 14-17. (Published).
  • Jeffrey Moore’s The Memory Artists: Synaesthesia, Science, and the Art of Memory. Studies in Canadian Literature 37 (2), 32-53. (Published).
  • Rivka Galchen’s Atmospheric Disturbances: A Meteorology of the Mind. Configurations (Revision Requested).

Livres

  • The Downfall of Temlaham: A Repatriated Critical Edition. Wilfred Laurier University Press. (Accepted).

Chapitres de livre

  • Patricia Godbout. (2020). Archive Transfer / Archival Transformation: The Intervening Space Between. Linda Morra. Moving Archives Canada : Wilfrid Laurier University Press. (In Press).
  • (2017). Archival Problems, Future Possibilities: Reconceptualizing the Database in Canada. Dean Irvine, Vanessa Lent, and Bart Vautour. Making Canada New: Editing, Modernism, and New Media (61-84). Canada : University of Toronto Press. (Published).
  • (2014). Ethnography, Law, and Aboriginal Memory: Collecting and Recollecting Gitxsan Histories in Canada. Canadian Literature and Cultural Memory. (201-214). University of Ottawa Press. (Published).
  • What Ought I Not Teach?: Ethical Responsibility and Aboriginal Cultural Protocols in the Classroom. Approaches to Indigenous Literatures in the 21st Century Wilfred Laurier University Press. (In Press).
  • Patricia Godbout. À la recherche de Keewaydin : sur la trace d’un festival de poésie dans la correspondance de D. G. Jones. Stéphanie Bernier et Pierre Hébert. La lettre d'écrivain et d'artiste au Québec Canada : Presses de l'Université Laval. (In Press).

Autres contributions

Gestion d'évènements

  • Activity Director. (2015) Digital Projects Showcase at the 2015 SHARP Conference (Society for the History of Authorship, Reading & Publishing). (Conference).
  • Organizer. (2012) Queen’s University Irving Layton Special Collections display and poetry reading.

Présentations

  • (2018). Affect, Pedagogy, Decolonization: Repatriating Indigenous Literature in Canada. Canadian Re-Generation(s) / Ré-génération(s) du Canada, 19th Biennial Conference, Waterford Institute of Technology. Waterford, Ireland
  • (2018). Cultural Appropriation in Quebec: from Anthropological Time to Contemporary Desire. D’Arcy McGee International Forum. Carlingford, Ireland
  • (2017). Canada as Hyperobject: Science, Biopolitics, and Poetics. Untold Stories of the Past 150 Years Conference. Dublin, Ireland
  • (2017). Transatlantic Panel with British Society for Literature and Science (BSLS): Collective Knowledge: Museums, Scientific Inquiry, and Literature. The Association of Canadian College and University Teachers of English (ACCUTE) Conference, Ryerson University. Toronto, Canada
  • (2016). Burning the Totem Pole: Violence and Decolonization in a Graduate Indigenous Literature Seminar. Indigenous Literary Studies Association Conference. Calgary, Canada
  • (2016). Reading a Book Without Words: Using Affect as a Tool of Decolonization. Maladies of the Soul, Emotion, Affect: Indigenous, Canadian, and Québécois Writings in the Crossfire of a New Turn. Banff, Canada
  • (2016). Rebranding Canadian Identity at the Canadian Museum of History: Keeping the Aboriginal Subject as an Artifact of Absence. Joint Panel with the British Society for Literature and Science (BSLS), The Association of Canadian College and University Teachers of English (ACCUTE) Conference. Toronto, Canada
  • (2016). Running in the Family Library: Tracing CanLit History in D. G. Jones’ Poetry Collection. The Promise of Paradise: Reading, Researching, and Using the Private Library. Montreal, Canada
  • Godbout P. (2015). "Archive Transfer / Archival Transformation: The Intervening Space Between.". Association of Canadian College and University Teachers of English (ACCUTE) Conference, University of Ottawa. Ottawa, Canada
  • (2015). "L'éthique de l'enseignement de littérature autochtone: la technologie et les connaissances traditionnelles.". NT2: Cycle de conférences en résonances médiatiques. Montreal, Canada
  • (2015). "Particles and Polymers: The Poetics of Scale in Contemporary Canadian Poetry.". European Society for Literature, Science and the Arts Conference. Valletta, Malta
  • (2015). "The Poetics of Particles: Literature and the Human at the Edge of Science.". Conference de l'Université de Sherbrooke, VersUS et Le laboratoire Culture populaire, connaissance et critique. Sherbrooke, Canada
  • (2015). Indigenous Biopolitics in Canada: Land/Body/Power. Society for Literature, Science and the Arts Conference. Houston, United States
  • (2015). “A Geopolitics of Knowledge? Remapping the Borders of Science and Literature in Canada.”. The Association for Canadian and Québec Literatures (ALCQ-ACQL) Conference, Brock University. St. Catharines, Canada
  • (2015). “Adaptation or Appropriation? Retelling Indigenous Oral Histories in a Good Way.”. Indigenous Literatures Studies Association, The Arts of Community: Inaugural Gathering at Six Nations of the Grand River. Six Nations, Canada
  • (2015). “Indigenous Biopolitics in Canada: Land/Body/Power.”. Society for Literature, Science and the Arts Conference. Houston, United States
  • (2015). “Indigenous Traditional Knowledge and the Ethics of the Digital Archive.”. (Re)constituer l’archive, le colloque anniversaire du NT2-Concordia. Montreal, Canada
  • Godbout P. (2014). « Naissance et spatialité de l’archive ». L’Association francophone pour le savoir (Acfas). Montreal, Canada
  • Vautour B, Shearer K, Wright K. (2014). “Emerging Scholars Roundtable.”. Avant Canada: Artists, Prophets, and Revolutionaries. Brock University. St. Catharines, Canada
  • (2014). “Ethical Spaces: Indigenous Archives and the Repatriation of Literature,”. Modernist Studies Association, MSA 16. Pittsburgh, United States
  • (2014). “Indigenous Social Justice Movements and the Anti-Modern.”. Avant Canada: Artists, Prophets, and Revolutionaries. Brock University. St. Catharines, Canada
  • (2014). “La traduction de « The Downfall of Temlaham » : retours transculturels [Le Rêve de Kamalmouk].”. Présence de Marius Barbeau l’invention du Terrain en Amerique Française autour d’un legs centenaire (1914-2014). Charlevoix, Canada
  • (2014). “Science and Literature in Canada: A Reenchantment of Knowledge?”. The VIII International Seminar on Canadian Studies, Holguin, Cuba. Holguin, Cuba
  • (2014). “‘A deep and silent rage’: Healing the Indigenous Voice in Jeannette Armstrong’s Whispering in Shadows.”. ACCUTE Conference. Brock University. St. Catharines, Canada
  • Gil A, Larson B, Marcotte S, Priego E. (2013). “Expanding Access: Building Bridges within Digital Humanities.”. Presidential Theme Session. MLA Conference 2013. Boston, United States
  • (2013). “Indigenous Archives, Ethnography, and the Law.”. Archive Futures: Manuscripts, Materiality, Methods. Bibliothèque et Archives Nationales du Québec. Montreal, Canada
  • (2013). “Indigenous Precarity in Canada: Theresa Spence, the De Beers Victor Mine, and Media Representations of the Indigenous Body Politic.”. VersUS Conference. Sherbrooke, Canada
  • (2013). “Postmodern Canadian Literature, Science, and Post-Secular Faith.”. Association of University English Teachers of South Africa Annual Conference, Rhodes University, Grahamstown. Grahamstown, South Africa
  • (2013). “Television, Techno-Fascism, and Time Zones: Brian Fawcett’s Cambodia: A Book For People Who Find Television Too Slow.”. The Association for Canadian and Québec Literatures (ALCQ-ACQL) Conference, University of Victoria. Victoria, Canada
  • (2013). “The Contemporary Canadian Literature Project: Using Wiki to Promote Active Learning.”. The Association for Canadian and Québec Literatures (ALCQ-ACQL) Conference, University of Victoria. Victoria, Canada
  • (2013). “The Digital Humanities: Literature, Technology, Access.”. The VII International Seminar on Canadian Studies, Holguín, Cuba. Holguin, Cuba
  • (2012). “Ethnography and the Indigenous Archive in Canada.”. Modern Language Association Conference. Seattle, United States
  • (2012). “Marius Barbeau in Europe: Modernism, Ethnography, Translation.”. Exile’s Return: An Editing Modernism in Canada Colloquium at the Sorbonne Nouvelle, Paris, France. Paris, France
  • (2012). “Preserving Culture | Sharing Knowledge: The Politics of the Indigenous Archive.”. Cultural Historiography: Emergent Theories and Methods, TransCanada Institute, University of Guelph. Guelph, Canada
  • (2011). Editing Modernism in Canada Roundtable. The Association for Canadian and Québec Literatures (ALCQ-ACQL) Conference, University of New Brunswick. Fredericton, Canada
  • (2011). Guest lecture for the 2011 Trent Editing Modernism in Canada course on the practices of digital textual editing. TEMiC 2011, Trent University. Peterborough, Canada
  • Brydon D, Morrison A, Haiven M, Brown S. (2011). “Face/Book/Net/Work: Social Networking and the Humanities.”. English Studies in Canada Round Table at the ACCUTE Conference 2011. Fredericton, Canada
  • (2011). “Online Archival Databases and the Context-Specific Digital Commons.”. International Association for Technology, Education and Development Conferenc. Valencia, Spain
  • (2010). Guest lecture for the 2010 Trent Editing Modernism in Canada course on the practices of digital textual editing. TEMiC 2010, Trent University. Peterborough, Canada
  • (2010). “Emergent or Post? The Ethnological Modernisms of Marius Barbeau’s The Downfall of Temlaham.”. The Association for Canadian and Québec Literatures (ALCQ-ACQL) Conference, Concordia University. Montreal, Canada
  • (2010). “Marius Barbeau’sThe Downfall of Temlaham: Archival Problems Lead to Editorial Possibilities.”. Conference on Editorial Problems, University of Toronto. Toronto, Canada
  • (2010). “The Editing Modernism in Canada Project: Digitization and Decentralization in the Archival Editorial Approach.”. Book History Discussion Group. Kingston, Canada
  • (2010). “Un-masking Nature and De(myth)tifying Culture in Marius Barbeau’sThe Downfall of Temlaham.”. ACCUTE Conference, Concordia University. Montreal, Canada
  • (2009). "Technology, Pedagogy, and the Future: Abundance in the Digital Age.”. Digital Humanities Summer Institute Graduate Student Colloquium, University of Victoria. Victoria, Canada
  • (2007). “Onésime: Moving Towards a Past-Time in Québécoise Bande Dessinées.”. Modernist Studies Association, MSA9. Long Beach, United States